In an era where electronic music constantly reinvents itself, Trill Bans is pushing the culture into unexplored territory. The San Diego–born producer-turned-DJ, known offstage as Marko Cervantes, has taken the pulse of underground dance music and fused it with the soul of his Mexican heritage. His latest single, “más y más,” is the result — a hypnotic collision of identity, rhythm, and emotion that’s quickly catching fire across the internet.
Released independently, “más y más” has sparked a viral surge on TikTok, with user-generated videos surpassing half a million total views. The track’s allure lies in its raw balance of contrasts: gritty underground drums, inspired by Crystal Castles, meet dreamlike Latin-female vocal chops that loop through layers of distorted synths and cinematic tension. The sound feels both nostalgic and futuristic — a club record with heart, capable of living in both a sweaty warehouse and a late-night playlist.
Before stepping into the spotlight, Trill Bans had already made his mark behind the scenes as a multi-platinum producer, contributing to major releases for Lil Durk, Chino Pacas, and Omar Courtz. But after years of elevating other artists, 2025 became his year of transformation — a leap from the background to the main stage, fueled by a need to express his own story through sound.
That rebirth is woven through “más y más.” It’s more than a single; it’s a manifesto for a new era of Latin EDM, one that merges the intensity of underground electronic music with the warmth and emotion of Mexican culture. By breaking away from traditional boundaries, Trill Bans is laying the foundation for a genre he calls underground Mexican EDM — a space where culture, nostalgia, and innovation coexist in perfect disarray.
As “más y más” continues to ripple across social media and streaming platforms, one thing is undeniable: Trill Bans isn’t following trends — he’s defining the next chapter of them.
