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24Hip-Hop

ANASTÁZIE Unchained: “Kiss & Let Go” and the Art of Defiance

Elle McGuire by Elle McGuire
October 27, 2025
in Music
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ANASTÁZIE’s Kiss & Let Go arrives not as a cautious experiment, but as a manifesto. From the first note, the track asserts itself with velvet-smooth vocals riding an Afrobeats pulse, punctuated by subtle jazz flourishes. There’s a confidence here that’s hard to manufacture — a sense that every melodic turn and rhythmic flourish is meticulously intentional. The song doesn’t chase trends; it dismantles them, proving that the most radical act in pop music today may simply be refusing to fit into a box.

Rooted in her Czech and Armenian heritage yet raised on a kaleidoscope of global sounds, ANASTÁZIE channels a lifetime of influences into something wholly her own. Moving to London at seventeen, she traded comfort for autonomy, and the result is a sound sharpened by both discipline and daring. The production feels lived-in, tactile, and personal — every note and beat shaped under her hand as co-writer and co-producer. This is an artist asserting total control over her narrative, and the sonic clarity reflects that hard-earned independence.

But it’s her voice that ultimately defines Kiss & Let Go. Sensual and commanding, defiant and intoxicatingly youthful, ANASTÁZIE transforms the simple act of letting go into something thrillingly tangible. The hooks lodge immediately in the listener’s memory, a testament to her skill in balancing accessibility with artistry. Lyrically, the song celebrates autonomy, freedom, and joy, yet never feels preachy — instead, it embodies liberation in a form that’s as playful as it is powerful.

In the end, Kiss & Let Go is ANASTÁZIE in full flight. She fuses roots, city energy, and personal vision into a sound that challenges, excites, and refuses to loosen its grip. It’s a track that demands movement, invites feeling, and showcases an artist whose refusal to be defined is her strongest signature. If this single is any indication, ANASTÁZIE is not merely emerging — she’s already arrived, and unapologetically on her own terms.

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